ECOLOGIES OF LANDSCAPE
10 NOVEMBER to 26 JANUARY 2019
Tacita Dean, Bonnie Devine, Olafur Eliasson, Isabelle Hayeur, Shelley Niro, James Nizam, Reinhard Reitzenstein, Simon Starling, Paul Walde
Curated by Mark A. Cheetham
BEC Project Space
315 King St. West, 2nd Floor
Ecologies of Landscape challenges us to reconsider what art and artists can contribute to the ecological future of the Earth, what 'being terrestrial' means for each of us. British European artist Tacita Dean photographs the stunning oddities of Madagascan Baobab trees. Bonnie Devine's Radiation and Radiance drawings and Canoe: to the North Shore narrate the discovery of uranium near Elliot Lake in the Algoma region of northern Ontario and its impact on the Anishinaabe Ojibwa of the Serpent River First Nation, to which she belongs. Documenting a rock on an Icelandic glacier from all sides, Olafur Eliasson's photo series The small glacier surfer sets the long game of geological change against the time it takes for a human being to move around an object. Isabelle Hayeur disrupts the seductive beauty of conventional underwater photography with a troubling image of Spirogyra - a plant that thrives on pollutants left by humans - photographed in Québec's Eastern Townships. Reflecting on the horrors of missing and murdered Indigenous women, Shelley Niro's photographs recall landscape photography in a familiar role, that of nature as a refuge from a violent human world. James Nizam employs the magic of the camera obscura to create two still images focusing our gaze on that most fundamental diurnal phenomenon, the rising and setting of the sun. Reinhard Reitzenstein's meticulous 'text' drawings of trees intone a profound reverence for these arboreal beings. British artist Simon Starling's digital video and stills titled Project for a Rift Valley Crossing - set in the Dead Sea area of the Middle East - hypnotically involve us in the material and conceptual dimensions of our interactions with land and water. Paul Walde's video Tom Thomson Centennial Swim returns to a regional obsession about landscape art and the land, commemorating Thomson's mysterious death on Canoe Lake in 1917.
BEC would like to thank the following representing galleries and artists for contributing works to Ecologies of Landscape: Tacita Dean, Marian Goodman Gallery, New York/Paris; Bonnie Devine, courtesy of the artist; Olafur Eliasson, Tanya Bonakdar Gallery, New York; Isabelle Hayeur, courtesy of the artist; Shelley Niro, courtesy of the artist; James Nizam, Birch Contemporary, Toronto; Reinhard Reitzenstein, Olga Korper Gallery, Toronto; Simon Starling, Casey Kaplan, New York; Paul Walde, represented by Barbara Edwards Contemporary.
Ecologies of Landscape is curated by Mark A. Cheetham, University of Toronto. His book Landscape into Eco Art: Articulations of Nature Since the '60s was published in 2018. Neda Omidvar, Director at Barbara Edwards Contemporary, is the Assistant Curator.
With special thanks to the Chloe Danyliw Collection for hosting this project.
BEC Project Space
315 King St. West, 2nd Floor
Toronto, ON M5V 1J5
Gallery Hours: Wed to Sat, 1 - 5pm
(or by appointment)
T 647 878 4444
For more information, contact:
barbara@becontemporary.com
Ecologies of Landscape, install shot
Ecologies of Landscape, install shot
Ecologies of Landscape, install shot
Shelley Niro, Solace, 2014
6 framed, matted photos, 78" x 24” each, edition of 1
courtesy the artist
James Nizam, From Sunrise, To Sunset, 2016
light jet print on dibond
32” x 40”, edition of 5
courtesy the artist and Birch Contemporary
Ecologies of Landscape, install shot
Simon Starling, Project for a Rift Valley Crossing,
A canoe built from magnesium extracted from Dead Sea Water and used on the 30th of November 2016 in an attempted crossing of the Dead Sea from Israel to Jordan, 2015-17
4k digital video, projected dimensions variable, 18 min 38 sec
courtesy the artist and Casey Kaplan, New York
Simon Starling, Project for a Rift Valley Crossing, 2015-2016
silver gelatin type LE/Selenium toned print, diptych (detail view)
39.21” x 48.43”, edition 7/10
courtesy the artist and Casey Kaplan, New York
Simon Starling, Project for a Rift Valley Crossing, 2015-2016
silver gelatin type LE/Selenium toned print, diptych (detail view)
39.21” x 48.43”, edition 7/10
courtesy the artist and Casey Kaplan, New York
Isabelle Hayeur, Moss Pond, 2015 (Underworlds series)
inkjet of polyester, mounted on aluminum and laminated, 50" x 36", edition 4/5
courtesy the artist
Olafur Eliasson, The small glacier surfer series, 2007
12 c-prints, 10" x 14 3/4" each , edition of 6
installation dimensions: 48.5" x 48.5"
courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles
Bonnie Devine , “On the third afternoon…” , from the Book of Radiance, 1999
mixed media on paper, 14.5" x 15.5"
courtesy the artist
James Nizam, From Sunrise, 2016
light jet print on dibond
32” x 40”, edition 1/5
courtesy the artist and Birch Contemporary
James Nizam, To Sunset, 2016
light jet print on dibond
32” x 40”, edition 2/5
courtesy the artist and Birch Contemporary
Shelley Niro, Solace, 2014
(detail view, "Dead")
6 framed, matted photos, 78" x 24” each, edition of 1
courtesy the artist
Reinhard Reitzenstein, Juniper, 2017
pigma ink on stonehenge
41” x 75.25"
courtesy the artist and Olga Korper Gallery
Reinhard Reitzenstein, Juniper, 2017 (detail view)
pigma ink on stonehenge
41” x 75.25"
courtesy the artist and Olga Korper Gallery
Paul Walde, Meditation: Canoe Lake 1917, 2018
4K digital video, edition of 5, 1 A/P
Courtesy Barbara Edwards Contemporary